Culture emerges where ideas are given space – as works of art, performances, or statements. Sometimes casual, sometimes pointed, but never arbitrary.
Galerie Delaive exhibits rare Niki de Saint Phalle sculpture
The sculpture from 1991 presented at Galerie Delaive is one of those works by Niki de Saint Phalle that are often overlooked alongside her iconic Nanas. The object's form is remini... Rare Niki de Saint Phalle sculptureLöhrl gallery: Bronze Edition Columbine – Natural Form and Encounter
The presentation at Löhrl gallery introduces a new bronze edition by Paul Diestel, in which the inflorescence of the columbine is condensed into a sculptural form. The sculpture is... Löhrl gallerySchlichtenmaier Gallery: Gerlinde Beck – Steel Sculpture and Modernism
At Art Cologne, Schlichtenmaier Gallery is dedicating itself to the work of Gerlinde Beck, an artist who redefined the relationship between material, form, and movement. Her sculpt... Steel Sculpture and ModernismSlewe Gallery shows Krijn de Koning – variable wooden sculptures
The presentation at Slewe Gallery introduces a group of works in which Krijn de Koning transfers his architectural thinking to a compact format. The sculptures are made of wood, fe... Slewe GalleryGallery M29: Vincent Tavenne – Miniatures and Fabric Sculptures
The presentation at Gallery M29 leads into finely composed miniature worlds that Vincent Tavenne has developed as a counterpart to his well-known fabric sculptures. The exhibition ... Gallery M29Kornfeld gallery: Jay Gards Ribbon – Sculpture and Ornamentation
Galerie Kornfeld has been following the work of artist Jay Gard for several years and presents key positions in the development of his sculptural work. Gard combines art-historical... Kornfeld galleryGallery Hoffmann: Martin Willing – Sculptures in Motion
Galerie Hoffmann is dedicating a special stand to Cologne-based artist Martin Willing, showcasing his extraordinary combination of art and physics. Willing's sculptures are finely ... Gallery HoffmannSchönewald Fine Arts: Katharina Fritsch's “Red Shell”
At Art Cologne, Schönewald Fine Arts from Düsseldorf is presenting a work that is as clear as it is enigmatic in its reduction: Katharina Fritsch's Red Shell. The sculptor is one o... Schönewald Fine ArtsGallery Georg Nothelfer presents Mahdad Alizadeh
The Berlin-based Georg Nothelfer Gallery is dedicating this year's sculpture highlight at Art Cologne to Iranian artist Mahdad Alizadeh. His works, made of fired and partly glazed ... Georg Nothelfer GalleryMINT Gallery: Stefan Rinck – Humor and Myth in Stone
The MINT Gallery is exhibiting sculptures by Berlin-based sculptor Stefan Rinck, whose works combine mythical symbolism, subtle wit, and masterful stonework. With his unmistakable ... MINT GalerieSamuelis Baumgarte Gallery: Sculptures by Botero & Cragg
Art Cologne 2025 will once again be the venue for important positions in modern and contemporary art. This year, Samuelis Baumgarte Gallery is presenting three extraordinary sculpt... Samuelis Baumgarte GalleryLA BIBI + REUS: Sculptures by Maite y Manuel in Cologne
Art Cologne 2025 is one of the most important platforms for contemporary art in Europe. The LA BIBI + REUS gallery is using this stage to present two extraordinary artistic positio... LA BIBI + REUS art gallerySculptural embroidery - Itamar Yehiel
Born in Jerusalem in 1984, artist Itamar Yehiel now lives in Berlin and is best known for his embroidery sculptures. At ARTMUC 2024, he showed some examples of his work in his unmi... Sculptural embroidery - Itamar YehielArt on carbon - Sabine Weigand
The Middle Franconian artist and art therapist Sabine Weigand is presenting art on carbon at ARTMUC 2024. The idea for this very special, rarely seen painting on carbon sheets came... Art on carbon - Sabine WeigandPainter Vinzenz Schueller - Oil on canvas
Vinzenz Schueller is an artist living in Vienna. Born in Vienna, he worked as an illustrator and commercial artist for over 20 years. A few years ago, he revived his original inten... Oil on canvas - Painter Vinzenz SchuellerArt fairs are not only places of aesthetics, but also of debate. Many contributions on Messe.TV take up cultural discourses that go far beyond arts and crafts. In interviews and trade fair reports, people talk about their personal experiences, social developments, or historical perspectives—whether through sculptures, photography, or interactive installations. The content ranges from socially relevant issues to individual forms of expression:
Numerous contributions on Messe.TV deal with cultural heritage and personal memory culture. Both traditional design techniques and modern digital forms of expression come to the fore. The examination of history, identity, and social change is a connecting theme that runs through many trade fair formats in the field of culture. A wide range of creative means are also integrated:
The “Culture” section regularly features encounters with personalities who shape cultural life – from the arts, media, or society. Messe.TV takes the opportunity to ask specific questions at trade fairs: What motivates artists today? What social developments influence their work? What role do trade fairs play as platforms for cultural visibility? Content of this kind provides personal insights and creates closeness:
Cultural education creates access to culture that goes beyond mere observation. It conveys connections, makes backgrounds understandable, and promotes the ability to classify and critically reflect on artistic forms of expression. Especially in the context of exhibitions, art fairs, and public presentations, it becomes clear how closely cultural education is linked to social participation. Here, art is not only shown, but also explained, discussed, and embedded in larger contexts. Education plays a dual role here: on the one hand, as an individual process that strengthens knowledge, perception, and judgment; on the other hand, as a social task. Museums, galleries, and trade fair formats are increasingly taking on educational functions by creating educational opportunities, facilitating discussions, and addressing new target groups. Culture, politics, and the public sphere intersect in this area of tension—for example, when issues of identity, memory, or social change are addressed artistically. Last but not least, funding is a key factor in sustainable cultural education. Public programs, private initiatives, and institutional support determine which projects can be realized and how broad access to culture and education actually is. Trade fair formats and media coverage help to make these processes visible and bring cultural content beyond specialist circles into society. In this way, cultural education becomes a connecting element between art, discourse, and social responsibility.